对“晚明”牙雕断代的再认识——以圣母子和送子观音像为例 [Rethinking the Dating of the Ivories of “the Late Ming”: A Case Study on the Interaction between the Images of the Madonna and Child and the Son-giving Guanyin]

董丽慧2019-09-252019-09-252016-05-172013-02-01http://hdl.handle.net/20.500.12424/471082chiWith permission of the license/copyright holder牙雕送子观音圣母子基督教艺术中西交通对“晚明”牙雕断代的再认识——以圣母子和送子观音像为例 [Rethinking the Dating of the Ivories of “the Late Ming”: A Case Study on the Interaction between the Images of the Madonna and Child and the Son-giving Guanyin]Article