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A libertinagem à moda inglesa em Sade e Frances Burney [The debauchery in the English fashion in Sade and Frances Burney]
Teixeira Marques, Mariana
Teixeira Marques, Mariana
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n26-a_liber.pdf
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Abstract
"Em seu Idée sur les romans, Sade defende o argumento de que os romancistas ingleses – mais precisamente, Richardson e Fielding – vêm dar lições aos franceses, pois são os primeiros a ter entrada privilegiada no coração humano, nos meandros de seus vícios e de suas paixões. Partindo da análise dos personagens Granwel e Clement Willoughby, esse artigo pretende sugerir uma aproximação entre Miss Henriette Stralson, ou les Effets du désespoir – história provavelmente escrita por Sade na Bastilha e publicada em 1926 por Maurice Heine na coletânea Les Crimes de l’amour – e o romance Evelina, or the History of a Young Lady’s Entrance into the World (1778), de Frances Burney. Trata-se de identificar pontos de confluência entre a imagem do celerado tal qual ela se configura no romance de Frances Burney e aquela que se revela na narrativa à l’anglaise imaginada pelo marquês: que vícios e paixões norteiam a conduta desses personagens no desenrolar dos dois enredos? Tendo Lovelace, o sedutor de Clarissa, como referência incontornável, como se desenha a figura do libertino inglês na comparação das duas obras?" ["In his Idée sur les romans, Sade defends the argument that English novelists - more precisely, Richardson and Fielding - come to give lessons to the French, they are the first to have privileged entry into the human heart, in the intricacies of their vices and their passions. Based on the analysis of the characters and Granwel Clement Willoughby, this article intends to suggest a connection between Miss Henriette Stralson or les Effets du désespoir - story probably written by Sade in the Bastille and published in 1926 by Maurice Heine in the collection Les Crimes de l'amour - and the novel Evelina, or the History of a Young Lady's Entrance into the World (1778), Frances Burney. It is to identify points of confluence between the miscreant image such as it is configured on the novel by Frances Burney and that which is revealed in the narrative à l'anglaise imagined by the Marquis, that vices and passions guide the conduct of these characters in the course of two scenarios? Having Lovelace, the seducer of Clarissa, as essential reference, how to draw the figure of the English libertine when comparing the two works?"]
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2015
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With permission of the license/copyright holder